The exhibition — only what has passed the gate and earned an accession. Everything else is still cooking in the storeroom.
This is the floor, not the studio. The storeroom (the index) holds the whole abundance, everything at stage cooking; a part reaches this wall only by an accession — the gate is the committee, the last word a human G. 13 of 13 departments accessioned.
The thesis and the install ritual — how a surface joins the system, whole from the storeroom (000_system). Once it is built, the system runs the brand.
The six-stage method, from the storeroom (001_method) — raw material to a system that stops asking to be redesigned, each stage the receipt for the one before, each drawn as its own glyph raster.
The spine and the boxes, from the storeroom (002_tokens) — if it is reusable it becomes a rule; spacing is structure; the container is the only box; nothing floats by eye.
The closed six, from the storeroom (003_type) — Scheherazade for prose, Red Hat Mono for the machine; each specimen measured, not asserted; no size outside the six.
Paper and the working family, from the storeroom (004_color) — ink for prose and code, graphite for button and pill, grey and two violets as instruments. Colour is never an ambient field; the palette renders as a measured OKLCH specimen.
The first accession — the HUB department whole, from the storeroom (005_hub): four tiers, twenty-three families, 37 pressed cells, every cell compiled from its catalog through the press, never hand-drawn. Hung under the live/seen accent ruling — the chromatic instruments stand: live carries hum, seen carries dusk, stale reads grey-51. Grown 2026-07-10: the shelf-mark · the folio walk · the queue · the chronology · the build ledger · the dossier · the side rack · THE STATE PLATE — P1.4's matrix, demonstrated: 11 component rows, 32 cells, every one a class that already exists elsewhere on the page.
Terminal design, pressed from its catalog to the storeroom (006_cli) — monospace spine, live code telemetry; the wildest instruments from the register, composed for command-line surfaces.
The wordmark register, from the storeroom (007_identity) — one name, four faces; every face is a specimen, nothing is a logo file. The muse register carries one plate. Pruned 2026-07-10, his ruling.
Website components, from the storeroom (008_site) — working specimens assembled from the register, including the canonical HHG footer every surface carries.
The anatomical theatre, from the storeroom (009_theatre) — the system demonstrates on its own body: coded numbers, exposed seams, variant readings, a man page.
The writing apparatus, pressed from the grammar to the storeroom (010_writing) — semantic HTML renders on-canon bare; the ledger names rhetoric, refs, and lawful patterns. Grown 2026-07-10: the pulled line — the page-title voice mid-prose.
A signal instrument, from the storeroom (011_ohm) — pulse, breath, prime, binary, and live-state behavior; used when the system needs energy, continuity, or measurement, never as a layout primitive.
The rendering hands, from the storeroom (012_rendering_hands) — how image, surface, texture, glyph, contour, hatch, and raster treatments behave inside the system. Grown 2026-07-10: THE CONTACT SHEET (every shipped frame on one sheet, numbered by order) · THE PLATE SEQUENCE (the method’s six in their true order).